I propose to draw the following still life with a pencil step by step:

1) At the first stage, we will depict a vase, a mug and an apple;

2) At the second stage, we will draw additional lines to carry out the correct shading;

3) We begin to shade the main shadows according to the drawing;

4) Continue shading and apply penumbra. As a result, the lines will not be visible.



There is also such still life drawing, jug and apple.



Let's make markings for the location of the drawing on the paper



let's draw the placement of the apple



Now let's draw the general shape of the jug



let's draw the shapes of a jug and an apple





draw the outline and use an eraser to remove the extra lines



All that's left is to draw the shadows



Now it’s ready, you can color it with colored pencils.



In order to draw a still life with a pencil, you need to create a composition step by step. Still lifes are completely different:





And other non-edible items:



To put it simply, everything that is not a portrait or a painting is a still life :)

Once we have decided on the objects to draw, we make a sketch. Arranges objects correctly, maintaining proportions. Using a pencil, measure the dimensions.

Next, we draw the main details, remove unnecessary strokes and you can paint. The most important thing here is color rendering and volume. Each person's eyes see colors differently. For example, one person in a burgundy drapery of a still life sees only shades of burgundy, while another in the same fabric transfers blue and yellow and even green to the canvas! This is how the artist sees the surrounding colors.

I wish you creative success and don’t be afraid of anything :)

A still life is an image of inanimate objects, to put it roughly. Most often, such paintings depict vases, flowers, and fruits. I offer this version of a still life, first drawn with a simple pencil and then painted with colored ones.









You can draw a still life from such a wonderful photo:



At the first stage, we will present everything that we see in the photo in the form of the simplest forms:



The next step is to curve the lines and draw a handle for the basket:





At the fourth stage, we will designate the contours of the flowers and their central part.



Drawing the petals:



Shading the drawing:



I'll tell you how to draw a still life. In my drawing I will depict a vase, there will be no scarf inside, and apples lying next to it. The drawing is simple at first glance, but let's see how to draw it.

Draw the beginnings of the still life shape; this is done with rectangular shapes (see point one in the picture). It turns out that you have a ready-made drawing plan; further work is cutting the drawing.

When you have received the shape, round the shapes (see point two in the picture).

By rounding the surfaces of the shapes, you will eventually arrive at the image in figure three.

The fourth image is created by applying shadows to the drawing.



Still lifes are different and can be painted in a variety of styles. It is important to correctly position images of inanimate objects on paper or canvas. A still life where objects overlap each other will look beautiful, three-dimensional, and harmonious.

For example, the location of rectangles. In the first picture they are arranged in a row, a boring picture, right? And if we move them, we get a completely different result.



When an object is behind another, blocking some part of it, you fill your still life with depth and volume. The more intersections of inanimate objects, the more interesting the drawing will be.

It is important to highlight the main subject, some subject should dominate, it can stand out in size, shape, color or position relative to the others.

An easy-to-execute still life with a vase and apples:

On the sheet, draw a line for the table or shelf on which the vase will stand. Sketch out the lines and dots for the skeleton of the vase. Connect the construction points with smooth lines, round the sharp corners of the vase. Add apples and background drapery. Remove unnecessary lines with an eraser. All that remains is to distribute light, penumbra, and shadow in the drawing and objects. Or paint it with watercolors.





We draw a still life in the following steps:

First stage. Draw a line that will indicate the table. Then we draw still life objects, we will have a vase of flowers, an onion, a cucumber and an apple.



Second stage. Let's start with the vase and draw silhouettes of daisies and plant stems.



Third stage. We are already drawing the daisies, stems and leaves in detail.



Fourth stage. Draw the cucumber, onion and apple.



Fifth stage. Outline all the objects in the drawing with a liner.



Sixth stage. Erase the pencil from our drawing.



Seventh stage. We begin to color the still life with pencils.















In the end we get a very beautiful and cute still life.

I can’t say how it is now, but before we drew still lifes in drawing lessons and under the supervision of the teacher it turned out quite well, then in adulthood I was not able to reproduce a still life with a pencil so well, probably our teacher took on most of the work. She taught us to draw in 4 stages:

Stage 1 - drawing contours in the proportions of those objects that should be in the still life.

Stage 2 - make clear outlines for these objects.

Stage 3 - start shading the contours and, if necessary, begin to apply shadow.

Stage 4 is, as they say, the final touch, i.e. apply all shades completely to the still life.



To draw a still life you need a soft pencil. It is preferable to use a 2B pencil.

You also need an eraser and landscape paper.



Drawing any still life should begin with determining the contours of inanimate objects. To begin, transfer what you see in front of you onto paper in a two-dimensional projection.



Determine the depth of objects in the drawing, add imaginary internal contours to better understand the elements of the still life.



After you decide on the proportions and location of objects in the drawing, you can erase the internal invisible contours.



Start detailing the elements of the still life. Transfer reflections, shadows, and details of objects to the drawing.



Create shadows on the objects themselves.



Add shadow areas between still life objects. This stage is one of the most difficult. You need to constantly maintain the correct balance in the drawing so that none of the elements become too dark/light compared to the rest.



Return to the objects. Where you need to add a shadow, and where you see excess dark, erase with an eraser.

This lesson shows how to draw a still life of a bouquet with flowers in a vase, fruit, drapery, books on a table step by step with a pencil. Academic drawing lesson.

At the beginning of any drawing, we need to mark lines close to the edges of the paper, beyond which we do not want to protrude, and then mark the objects themselves. There is no need to worry too much here, as long as it is clear where what objects are located and what size they are. This is what it looked like for me:

Then I outlined the flowers in the bouquet itself, and also drew in more detail on the books, drapery and apples. Pay attention to how the daisies are drawn: the general shape, size and arrangement of the flowers are outlined, but the petals and leaves themselves are not drawn. We will do this later.

Next you need to build a vase. I have it made of glass, with an interesting cross-shaped relief on the edges. We start building by drawing the base (bottom) of the vase. In this case it is hexagonal. As you know, a hexagon fits into a circle, and a circle in perspective is an ellipse. So, if it is difficult to construct a hexagon in perspective, draw an ellipse, mark six points on its edges and connect. The upper hexagon is drawn in the same way, only it is larger in size as the vase expands towards the top.

When the base and neck are drawn, we connect the dots and we will automatically learn the three sides of the vase. I immediately outlined a pattern on them.

After that, I drew the shadow boundaries on the objects and started shading. I started shading with the darkest color - . Since a pencil does not have unlimited possibilities and has its own brightness limit, you need to immediately draw the darkest object at full strength (with good pressure). And then we will shade the remaining objects and compare them in tone (darker or lighter) with the books. This way we will get a rather contrasting still life, and not a gray one, like beginners who are afraid to paint dark areas.

Then you need to determine the tones of the remaining items. I look at my still life and see that the drapery on the books is lighter than the books. Unfortunately, when I painted the still life, I didn’t think to take a photo of it, so you’ll have to take my word for it. The drapery that I have hanging behind the bouquet is darker than the one lying on the books, but lighter than the books. darker than light drapery and lighter than dark. When you draw something, ask yourself questions: “What is the darkest?” , “What is the brightest?” , “Which of these two objects is darker?” This will immediately make your work correct in tone and it will look much better!

Here you can see how I begin shading the remaining items:

Here you can see how I started working on the vase. When working on glass, you should immediately try to draw all the details. Look at what you are drawing and observe where the highlights (white flashes of light) are. You should try to leave the highlights white. In addition, it should be noted that in glass (the same applies to metal objects) the dark and light areas differ quite sharply. If on the drapery the tones blend into each other smoothly, then on the vase the dark and light areas are close to each other.

To continue the design, I shaded the back drapery. The photo below shows the directions of the strokes on the drapery, which should be superimposed according to the shape of the object. Remember: if you are drawing a round object, the stroke is shaped like an arc; if the object has smooth edges (for example, a book), then the strokes are straight. After the vase, I begin to draw, since we still haven’t determined their tone.

Here I decided to draw flowers and spikelets. At the same time, it is important to look at nature and notice the differences between colors, they are not the same. Some of them lower their heads down, some, on the contrary, look up, each flower needs to be drawn in its own way.

Then I shaded the white background between the flowers. The result was white silhouettes on a dark background, which we will work with next. Here I work with light drapery. Don't forget that the strokes follow the shapes.

Meanwhile, the time has come when we begin to draw the most interesting thing - the bouquet. I started with ears of corn. In some places they are lighter than the background, and in others they are darker. Here you need to look at nature.

At this point I darkened the front apple as it wasn't dark enough.

After this we begin to draw the daisies. First, let's determine where the shadow is and where the light is and shade the shadows.

Then I finalized the distant apples (darkened them and highlighted the highlights).

Our still life is ready! Of course, it can still be refined for a very long time, but time is not flexible and I decided that it already looks pretty good. She put it in a wooden frame and sent it to its future owner.

Still life called the image of a number of inanimate objects. Translated from French it is “dead nature”. Vegetables, fruits, bouquets of flowers, various human-made objects can be material for still lifes. Drawing a still life develops artistic taste in a child, because the selection of objects in a still life is not random, but meaningful and specially selected. In a still life, the artist strives to reveal the beauty of the shape of objects or their color relationship.

Before we start drawing, let's think about how it is more convenient to arrange them on the sheet - in the length or width of the sheet.

Try to ensure that your objects are not crooked, stand straight, do not fall, and look like the teapot and cup drawn here.

When we draw the bottom of the teapot, we will draw rounded lines, remembering that we do not need to hold the pencil tightly in our fingers and press on it. Let's draw the rounded lines easily and freely: they will turn out more correctly.

When depicting a still life consisting of several objects, try to arrange them so that they partially cover each other - this will give greater naturalness.

In this figure you can see how the volume is conveyed by individual strokes: where there is no light, the strokes are darker. Darker strokes are also located in the place of the falling shadow. And in the place where the light falls, highlights are drawn.

Let's try to draw a still life consisting of four objects: a jug, drapery and two apples.

Now let’s draw a still life consisting of a jug, plate, cutting board and spoon.

Compositionally, the whole group is very diverse. A spoon lying at an angle “interrupts” the verticality of the jug and the horizontality of the board with the plate, thus introducing variety into the curvilinear shapes of objects.

Drawing drapery

F he plays a big role in still life. The artist’s ability to “link” the background with the objects speaks of his professional level. Most often, drapery acts as a background when drawing a still life. Drapery- this is a fabric laid on a plane under an object or thrown over it so that it forms folds. Draperies are called curtains, tablecloths, bedspreads. Drapery will look different depending on the type of fabric and its quality. Rigid fabrics, such as brocade, give large and protruding folds, wool has smaller folds, and silk fabrics form light, soft and small folds.

To draw drapery, it is better to take a fabric that is smooth, wrinkle-resistant and plain (without a pattern). To find out the type of folds, the fabric is fixed on a vertical surface so that the folds fall down. When drawing fabric fixed at one point on a vertical surface, we must first of all see how the folds are formed. We see that folds form at one point and, expanding, diverge downward. They also form convex and recessed surfaces. Recessed surfaces are darker than convex ones.

When shading folds, apply strokes in the direction of movement of the folds, and in the recesses - along the tension of the surface of the fabric. The entire drapery is covered with strokes, and in shady places the tone intensifies. The folds of the drapery should be well drawn.

Artists have always loved to paint still lifes. On their canvases they depicted luxurious bouquets of flowers, exotic fruits, game, fresh vegetables and very intricate dishes. Nowadays, still lifes are still popular, but drawing them is not so easy. It is best to start with simple compositions consisting of three or four different objects.

First you need to prepare:

Sheet of paper;
- pencil;
- eraser;
- bright colored pencils. For example, watercolors work well.

After this, you can start working on the still life:

1. Mark the edge of the table with a pencil, and then draw the outlines of two apples, a pear and a mug;

2. Draw the fruit in more detail. Draw a sprig of strawberries standing in a circle;

5. Apply another layer of shading to the apple, gradually making its color more saturated and expressive. Remember that an apple, like a pear, must have a highlight, because in this case the light falls on objects from one side. Darken the shadow areas additionally with brown and swamp green;

The still life is completely ready. You can gradually complicate the composition by adding new items. You can color a still life not only with colored pencils, but also with oil, acrylic or watercolor paints.

Still life is an ideal decoration for the kitchen. The interior with notes of fruits, vegetables and berries whets the appetite, enhances the taste of your favorite dishes, and inspires culinary experiments. So imagine yourself as a great artist and go ahead and paint a still life.

How to draw still life in watercolor, The following video will tell you. Turn it on quickly!

How to draw a still life with a pencil

A fragile strawberry twig and a couple of your favorite fruits - a colorful still life will instantly lift your spirits and attract the enchanted glances of your guests while you are there.

1. Lightly press the pencil to draw a horizontal line - this is the edge of the table. Draw the outline of a pear, two apples and a mug.

2. Draw a strawberry sprig in a circle. Give the fruit a natural look by drawing out the convex shapes more clearly. Don't forget to draw the tails and dried sepals.

3. Well done! Now, using an eraser, lightly erase the drawn sketch so that only barely noticeable lines remain. Carefully color the pear with colored pencils, applying shades of yellow, orange, red and brown to the fruit.

4. Now move on to coloring the apple. Thick strokes of green, orange and yellow are ideal for this. For the cutting, use a brown pencil.

5. Great! Make the apple more expressive and bright with another layer of shading. You can convey the shadow with brown, dark green and marsh colors.

Pay attention! All fruits should have small, unpainted areas (highlights).

6. On the second apple, also apply the first, light layer of shading, without tinting the highlight.

7. Now shade the apple again, coloring one side with shades of red and brown.

8. Color the strawberries with light red strokes. Use a brown pencil to draw small grains.

9. Use cherry and red pencils to brighten the shading of the strawberries. Draw lettuce leaves.

10. Then draw thin stems, outlines of leaves, depict flowers.

11. Using green and yellow shades, color the strawberry leaves and draw the stems again.

12. Shade the mug with a blue pencil. Make the shadow dark blue and color the inside of the mug gray. Let the rim be black.

Important to remember: The shading must be made in the shape of the dish or other item.

13. Shade the tablecloth with a pink pencil. Make the shadows of the objects on the table a little darker.

14. And the last thing: on the wall, make a red-brown shading, and in places where objects cast a shadow, do a dark brown one.

What a beauty!